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c. 1445 – May 17, 1510. Italian painter.

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GIuseppe Cesari Called Cavaliere arpino
Judith with the Head of Holofernes

ID: 62382

GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes
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GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes


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GIuseppe Cesari Called Cavaliere arpino

Rome 1568-1640  Related Paintings of GIuseppe Cesari Called Cavaliere arpino :. | Diana and Actaeon | Christ Taken Prisoner | The Betrayal of Christ | Diana and Actaeon | Diana and Actaeon |
Related Artists:
Hendrick van Somer
Hendrick van Someren, or Somer (1615, Amsterdam - 1685, Amsterdam), was a Dutch Golden Age painter. According to Houbraken he was the son of the "van Zomeren" who took in the young Adriaen Brouwer after he fled Frans Hals' workshop to try his luck in Amsterdam. Houbraken claimed Henrik van Someren was a good painter of historical allegories, landscapes, and flower still lifes. According to the RKD no works survive in the styles Houbraken mentioned, only "hermits" in the style of Ribera. He was the son of the painter Barend van Someren and the grandson of Aert Mijtens. He was the pupil of Jusepe de Ribera and at least one of his works had a forged signature of Ribera.He is possibly the same painter sometimes referred to as Enrico Fiammingo.
BRAMER, Leonaert
Dutch Baroque Era Painter, 1596-1674
Richard Brompton
1734-1783 English painter. He trained in London with Benjamin Wilson before going to Rome in 1757, where he studied with Anton Raphael Mengs. In Rome he met Charles Compton, 7th Earl of Northampton, who paid him an allowance and in Venice in 1763 introduced him to Edward Augustus, Duke of York. The Duke commissioned a conversation piece of himself and his travelling companions (version, 1764; London, Kew Pal., Royal Col.). The figures are awkwardly posed, but the polished elegance of each shows the influence of Mengs. In 1765 Brompton returned to London with Nathaniel Dance and established a good practice with small-scale works in the manner of Johann Zoffany, such as William Pitt, 1st Earl of Chatham (1772; Chevening, Kent), which exists in several versions. He also produced portraits on a larger scale, including the enormous Henry Dawkins with his Family (1773; Over Norton Hall, Oxon).






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